OpenMethods Spotlights showcase people and epistemic reflections behind Digital Humanities tools and methods. You can find here brief interviews with the creator(s) of the blogs or tools that are highlighted on OpenMethods to humanize and contextualize them. In the first episode, Alíz Horváth is talking with Hilde de Weerdt at Leiden University about MARKUS, a tool that offers offers a variety of functionalities for the markup, analysis, export, linking, and visualization of texts in multiple languages, with a special focus on Chinese and now Korean as well.
East Asian studies are still largely underrepresented in digital humanities. Part of the reason for this phenomenon is the relative lack of tools and methods which could be used smoothly with non-Latin scripts. MARKUS, developed by Brent Ho within the framework of the Communication and Empire: Chinese Empires in Comparative Perspective project led by Hilde de Weerdt at Leiden University, is a comprehensive tool which helps mitigate this issue. Selected as a runner up in the category “Best tool or suite of tools” in the DH2016 awards, MARKUS offers a variety of functionalities for the markup, analysis, export, linking, and visualization of texts in multiple languages, with a special focus on Chinese and now Korean as well.
Introduction: The FAIR Data Principles (Findable, Accesible, Interoperable, Reusable) aim to make clear the need to improve the infrastructure for reuse of scholarly data. The FAIR Data Principles emphasize the ability of machines to automatically find and use the data, in addition to supporting its reuse by individuals, key activities for Digital Humanities research. The post below summarizes how Europeana’s principles (Usable, Mutual, Reliable) align with the FAIR Data ones, enhancing the findability, accessibility, interoperability, and reuse of digitised cultural heritage.
Introduction: This conference report highlights a tool for preservation and research process of oral archives.
Introduction: This post highlights the analysis of illuminated manuscript in art history before and after digital methods and tools.
Introduction: Here is a 2014 conference report on digital paleography and big data of the past, on epigraphic paleography, and on Oriflamms and DigiPal projects.
Introduction: This post outlines retro-digitalisation and academic analysis of paper-based documents.
Introduction: This paper outlines the historical development and methodical challenges of digital visual studies.
Introduction: Here is a new workflow software for digitization.
Introduction: Researchers work on the convergence of Web and e-books.