LoGaRT and RISE: Two multilingual tools from the Max Planck Institute for the History of Science

LoGaRT and RISE: Two multilingual tools from the Max Planck Institute for the History of Science

Introduction: This post introduces two tools developed by the Max Planck Institute for the History of Science, LoGaRT and RISE with a focus on Asia and Eurasia. […]The concept of LoGaRT – treating local gazetteers as “databases” by themselves – is an innovative and pertinent way to articulate the essence of the platform: providing opportunities for multi-level analysis from the close reading of the sources (using, for example, the carousel mode) to the large-scale, “bird’s eye view” of the materials across geographical and temporal boundaries. Local gazetteers are predominantly textual sources – this characteristic of the collection is reflected in the capabilities of LoGaRT as well, since some of its key capabilities include data search (using Chinese characters), collection and analysis, as well as tagging and dataset comparison. That said, LoGaRT also offers integrated visualization tools and supports the expansion of the collection and tagging features to the images used in a number of gazetteers. The opportunity to smoothly intertwine these visual and textual collections with Chinese historical maps (see CHMap) is an added, and much welcome, advantage of the tool, which helps to develop sophisticated and multifaceted analyses.
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Collaborative Digital Projects in the Undergraduate Humanities Classroom: Case Studies with Timeline JS

Collaborative Digital Projects in the Undergraduate Humanities Classroom: Case Studies with Timeline JS

https://openmethods.dariah.eu/2022/05/11/open-source-tool-allows-users-to-create-interactive-timelines-digital-humanities-at-a-state/ OpenMethods introduction to: Collaborative Digital Projects in the Undergraduate Humanities Classroom: Case Studies with Timeline JS 2022-05-11 07:28:36 Marinella Testori Blog post Creation Data Designing Digital Humanities English Methods…

Annotation Guidelines For narrative levels, time features, and subjective narration styles in fiction (SANTA 2).

Annotation Guidelines For narrative levels, time features, and subjective narration styles in fiction (SANTA 2).

Introduction: If you are looking for solutions to translate narratological concepts to annotation guidelines to tag or mark-up your texts for both qualitative and quantitative analysis, then Edward Kearns’s paper “Annotation Guidelines for narrative levels, time features, and subjective narration styles in fiction” is for you! The tag set is designed to be used in XML, but they can be flexibly adopted to other working environments too, including for instance CATMA. The use of the tags is illustrated on a corpus of modernist fiction.
The guidelines have been published in a special issue of The Journal of Cultural Analytics (vol. 6, issue 4) entirely devoted to the illustration of the Systematic Analysis of Narrative levels Through Annotation (SANTA) project, serving as the broader intellectual context to the guidelines. All articles in the special issue are open peer reviewed , open access, and are available in both PDF and XML formats.
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GitHub – CateAgostini/IIIF

GitHub – CateAgostini/IIIF

Introduction: In this resource, Caterina Agostini, PhD in Italian from Rutgers University, Project Manager at The Center for Digital Humanities at Princeton shares two handouts of workshops she organized and co-taught on the International Image Interoperability Framework (IIIF). They provide a gentle introduction to IIIF and clear overview of features (displaying, editing, annotating, sharing and comparing images along universal standards), examples and resources. The handouts could be of interest to anyone interested in the design and teaching of Open Educational Resources on IIF.
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Find research data repositories for the humanities – the data deposit recommendation service

Find research data repositories for the humanities – the data deposit recommendation service

Introduction: Finding  suitable research data repositories that best match the technical or legal requirements of your research data is not always an easy task. This paper, authored by Stephan Buddenbohm, Maaikew de Jong, Jean-Luc Minel  and Yoann Moranville showcase the demonstrator instance of the Data Deposit Recommendation Service (DDRS), an application built on top of the re3data database specifically for scholars working in the Humanities domain. The paper  also highlights further directions of developing the tool, many of which implicitly bring sustainability issues to the table.

BERT for Humanists: a deep learning language model  meets DH

BERT for Humanists: a deep learning language model meets DH

Introduction: Awarded as Best Long Paper at the 2019 NACCL (North American Chapter of the Association for Computational Linguistics) Conference, the contribution by Jacob Devlin et al. provides an illustration of “BERT: Pre-training of Deep Biredictional Transformers for Language Understanding” (https://aclanthology.org/N19-1423/).

As highlighted by the authors in the abstract, BERT is a “new language representation model” and, in the past few years, it has become widespread in various NLP applications; for example, a project exploiting it is CamemBERT (https://camembert-model.fr/), regarding French. 

In June 2021, a workshop organized by David Mimno, Melanie Walsh and Maria Antoniak (https://melaniewalsh.github.io/BERT-for-Humanists/workshop/) pointed out how to use BERT in projects related to digital humanities, in order to deal with word similarity and classification classification while relying on Phyton-based HuggingFace transformers library. (https://melaniewalsh.github.io/BERT-for-Humanists/tutorials/ ). A further advantage of this training resource is that it has been written with sensitivity towards the target audience in mind:  in a way that it provides a gentle introduction to complexities of language models to scholars with education and background other than Computer Science.

Along with the Tutorials, the same blog includes Introductions about BERT in general and in its specific usage in a Google Colab notebook, as well as a constantly-updated bibliography and a glossary of the main terms (‘attention’, ‘Fine-Tune’, ‘GPU’, ‘Label’, ‘Task’, ‘Transformers’, ‘Token’, ‘Type’, ‘Vector’).

The First of May in German Literature

The First of May in German Literature

Introduction by OpenMethods Editor (Erzsébet Tóth-Czifra): Research on date extractions from literature brings us closer to answering big questions of “when literature takes place”.  As Frank Fischer’s blog post, First of May in German literature shows, beyond mere quantification, this line of research also yields insights on the cultural significance of certain dates. In this case, the significance of 1st of May in German literature (as reflected in the “Corpus of German-Language Fiction” dataset) was determined with the help of a freely accessible data set and the open access tool HeidelTime. The brief description of the workflow is a smart demonstration of the potential of open DH methods and data sharing in sustainable ways.

Bonus one: the post starts out from briefly touching upon some of Frank’s public humanities activities.

Bonus two: mention of the Tiwoli (“Today in World Literature”) app, a fun side product built on to pof the date extraction research.

TAO IC Project: the charm of Chinese ceramics.

TAO IC Project: the charm of Chinese ceramics.

Introduction: Among the Nominees in the ‘Best DH Dataset’ of the DH Awards 2020, the TAO IC Project (http://www.dh.ketrc.com/index.html) leads us in a fascinating journey through the world of Chinese ceramics. The project, which is developed in a collaborative way at the Knowledge Engineering & Terminology Research Center of Liaocheng (http://ketrc.com/), exploits an onto-terminology-based approach to build an e-dictionary of Chinese vessels. Do you want to know every detail about a ‘Double-gourd Vase I’? If you consult ‘Class’ in the ‘Ontology’ section (http://www.dh.ketrc.com/class.html), you can discover the component, the function, from what such a vessel is made of, and what is the method to fire it. If you also wish to see how the vase appears, under ‘Individuals’ of the same section you can read a full description of it and, also, see a picture (http://www.dh.ketrc.com/class.html). All this information is collected in the e-dictionary for each beautiful item belonging to the Ming and Qing dynasties.

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What Counts as Culture? Part I: Sentiment Analysis of The Times Music Reviews, 1950-2009 – train in the distance

What Counts as Culture? Part I: Sentiment Analysis of The Times Music Reviews, 1950-2009 – train in the distance

Introduction: This blog post by Lucy Havens presents a sentiment analysis of over 2000 Times Music Reviews using freely available tools: defoe for building the corpus of reviews, VADER for sentiment analysis and Jupiter Notebooks to provide a rich documentation and to connect the different components of the analysis. The description of the workflow comes with tool and method criticism reflections, including an outlook how to improve and continue to get better and more results.

La poética dramática desde una perspectiva cuantitativa: la obra de Calderón de la Barca

La poética dramática desde una perspectiva cuantitativa: la obra de Calderón de la Barca

Introduction: In this paper, Ehrlicher et al. follow a quantitative approach to unveil possible structural parallelisms between 13 comedies and 10 autos sacramentales written by Calderón de la Barca. Comedies are analyzed within a comparative framework, setting them against Spanish comedia nueva and French comedie precepts. Authors employ tool DramaAnalysis and statistics for their examination, focusing on: word frequency per subgenre, average number of characters, their variation and discourse distribution, etc. Autos sacramentales are also evaluated through these indicators. Regarding comedies, Ehrlicher et al.’s results show that Calderón: a) plays with units of space and time depending on creative and dramatic needs, b) does not follow French comedie conventions of character intervention or linkage, but c) does abide by its concept of structural symmetry. As for autos sacramentales, their findings brought forth that these have a similar length and character variation to comedies. However, they also identified the next difference: Calderón uses character co-presence in them to reinforce the message conveyed. Considering all this, authors confirm that Calderón’s comedies disassociate from classical notions of theatre – both Aristotelian and French –ideals. With respect to autos sacramentales, they believe further evaluation would be needed to verify ideas put forward and identify other structural patterns.