What is PixPlot? (DH Tools) – YouTube

What is PixPlot? (DH Tools) – YouTube

Introduction: This short video teaser summarizes the main characteristics of PixPlot, a Python-based tool for clustering images and analyzing them from a numerical perspective as well as its pedagogical relevance as far as
machine learning is concerned.

The paper “Visual Patterns Discovery in Large Databases of Paintings”, presented at the Digital Humanities 2016 Conference held in Poland,
can be considered the foundational text for the development of the PixPlot Project at Yale University.
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GitHub – CateAgostini/IIIF

GitHub – CateAgostini/IIIF

Introduction: In this resource, Caterina Agostini, PhD in Italian from Rutgers University, Project Manager at The Center for Digital Humanities at Princeton shares two handouts of workshops she organized and co-taught on the International Image Interoperability Framework (IIIF). They provide a gentle introduction to IIIF and clear overview of features (displaying, editing, annotating, sharing and comparing images along universal standards), examples and resources. The handouts could be of interest to anyone interested in the design and teaching of Open Educational Resources on IIF.
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El archivo y la toma de notas. El lugar del software en la interpretación histórica

El archivo y la toma de notas. El lugar del software en la interpretación histórica

Introduction: In this article, Nicolás Quiroga reflects on the fundamental place of the note-taking practice in the work of historians. The artcile also reviews some tools for classifying information -which do not substantially affect the note-taking activity – and suggests how the use of these tools can create new digital approaches for historians.

The Uncanny Valley and the Ghost in the Machine

The Uncanny Valley and the Ghost in the Machine

Introduction: There is a postulated level of anthropomorphism where people feel uncanny about the appearance of a robot. But what happens if digital facsimiles and online editions become nigh indistinguishable from the real, yet materially remaining so vastly different? How do we ethically provide access to the digital object without creating a blindspot and neglect for the real thing. A question that keeps digital librarian Dot Porter awake and which she ponders in this thoughtful contribution.