Introduction: One of the major challenges of digital data workflows in the Arts and Humanities is that resources that belong together, in extreme cases, like this particular one, even parts of dismembered manuscripts, are hosted and embedded in different geographical and institutional silos. Combining IIIF with a mySQL database, Fragmentarium provides a user-friendly but also standardized, open workspace for the virtual reconstruction of medieval manuscript fragments. Lisa Fagin Davis’s blog post gives contextualized insights of the potentials of Fragmentarium and how, as she writes, “technology has caught up with our dreams”.
OpenMethods Spotlights showcase people and epistemic reflections behind Digital Humanities tools and methods. You can find here brief interviews with the creator(s) of the blogs or tools that are highlighted on OpenMethods to humanize and contextualize them. In the first episode, Alíz Horváth is talking with Hilde de Weerdt at Leiden University about MARKUS, a tool that offers offers a variety of functionalities for the markup, analysis, export, linking, and visualization of texts in multiple languages, with a special focus on Chinese and now Korean as well.
East Asian studies are still largely underrepresented in digital humanities. Part of the reason for this phenomenon is the relative lack of tools and methods which could be used smoothly with non-Latin scripts. MARKUS, developed by Brent Ho within the framework of the Communication and Empire: Chinese Empires in Comparative Perspective project led by Hilde de Weerdt at Leiden University, is a comprehensive tool which helps mitigate this issue. Selected as a runner up in the category “Best tool or suite of tools” in the DH2016 awards, MARKUS offers a variety of functionalities for the markup, analysis, export, linking, and visualization of texts in multiple languages, with a special focus on Chinese and now Korean as well.
Introduction: Issues around sustaining digital project outputs after their funding period is a recurrent topic on OpenMethods. In this post, Arianna Ciula introduces the King’s Digital Lab’s solution, a workflow around their CKAN (Comprehensive Knowledge Archive Network) instance, and uncovers the many questions around not only maintaining a variety of legacy resources from long-running projects, but also opening them up for data re-use, verification and integration beyond siloed resources.
Introduction: the RIDE journal (the Review Journal of the Institute for Documentology and Scholarly Editing) aims to offer a solution to current misalignments between scholarly workflows and their evaluation and provides a forum for the critical evaluation of the methodology of digital edition projects. This time, we have been cherry picking from their latest issue (Issue 11) dedicated to the evaluation and critical improvement of tools and environments.
Ediarum is a toolbox developed for editors by the TELOTA initiative at the BBAW in Berlin to generate and annotate TEI-XML Data in German language. In his review, Andreas Mertgens touches upon issues regarding methodology and implementation, use cases, deployment and learning curve, Open Source, sustainability and extensibility of the tool, user interaction and GUI and of course a rich functional overview.
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Introduction: In this post, you can find a thoughtful and encouraging selection and description of reading, writing and organizing tools. It guides you through a whole discovery-magamement-writing-publishing workflow from the creation of annotated bibliographies in Zotero, through a useful Markdown syntax cheat sheet to versioning, storage and backup strategies, and shows how everybody’s research can profit by open digital methods even without sophisticated technological skills. What I particularly like in Tomislav Medak’s approach is that all these tools, practices and tricks are filtered through and tested again his own everyday scholarly routine. It would make perfect sense to create a visualization from this inventory in a similar fashion to these workflows.
Introduction: Sustainability questions such as how to maintain digital project outputs after the funding period, or how to keep aging code and infrastructure that are important for our research up-to-date are among the major challenges DH projects are facing today. This post gives us a sneak peek into the solutions and working practices from the Center for Digital Humanities at Princeton. In their approach to build capacity for sustaining DH projects and preserve access to data and software, they view projects as collaborative and process-based scholarship. Therefore, their focus is on implementing project management workflows and documentation tools that can be flexibly applied to projects of different scopes and sizes and also allow for further refinement in due case. By sharing these resources together with their real-life use cases in DH projects, their aim is to benefit other scholarly communities and sustain a broader conversation about these tricky issues.
Introduction: Given in French by Mathieu Jacomy – also known for his work on Gephi, this seminar presentation gives a substantial introduction to Hyphe, an open-source web crawler designed by a team of the Sciences Po Medialab in Paris. Specifically devised for the researchers’ use, Hyphe helps collecting and curating a corpus of web pages, through an easy to handle interface.
Introduction: In this article, Nicolás Quiroga reflects on the fundamental place of the note-taking practice in the work of historians. The artcile also reviews some tools for classifying information -which do not substantially affect the note-taking activity – and suggests how the use of these tools can create new digital approaches for historians.
Introduction: There is a postulated level of anthropomorphism where people feel uncanny about the appearance of a robot. But what happens if digital facsimiles and online editions become nigh indistinguishable from the real, yet materially remaining so vastly different? How do we ethically provide access to the digital object without creating a blindspot and neglect for the real thing. A question that keeps digital librarian Dot Porter awake and which she ponders in this thoughtful contribution.