Category: Imaging

Imaging refers to the capture of texts, images, artefacts or spatial formations using optical means of capture. Imaging can be made in 2D or 3D, using various means (light, laser, infrared, ultrasound). Imaging usually does not lead to the identification of discrete semantic or structural units in the data, such as words or musical notes, which is something DataRecognition accomplishes. Imaging also includes scanning and digital photography.

GitHub – CateAgostini/IIIF

GitHub – CateAgostini/IIIF

Introduction: In this resource, Caterina Agostini, PhD in Italian from Rutgers University, Project Manager at The Center for Digital Humanities at Princeton shares two handouts of workshops she organized and co-taught on the International Image Interoperability Framework (IIIF). They provide a gentle introduction to IIIF and clear overview of features (displaying, editing, annotating, sharing and comparing images along universal standards), examples and resources. The handouts could be of interest to anyone interested in the design and teaching of Open Educational Resources on IIF.
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Zur Digitalisierung der Materialität mittelalterlicher Objekte. Ein Bericht aus der wissenschaftsgeschichtlichen Werkstatt

Zur Digitalisierung der Materialität mittelalterlicher Objekte. Ein Bericht aus der wissenschaftsgeschichtlichen Werkstatt

Introduction: In this blog post, Michael Schonhardt explores and evaluates a range of freely available, Open Source tools – Inkscape, Blender, Stellarium, Sketchup – that enable the digital, 3D modelling of medieval scholarly objects. These diverse tools bring easily implementable solutions for both the analysis and the communication of results of object-related cultural studies and are especially suitable for projects with small budgets.

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The Uncanny Valley and the Ghost in the Machine

The Uncanny Valley and the Ghost in the Machine

Introduction: There is a postulated level of anthropomorphism where people feel uncanny about the appearance of a robot. But what happens if digital facsimiles and online editions become nigh indistinguishable from the real, yet materially remaining so vastly different? How do we ethically provide access to the digital object without creating a blindspot and neglect for the real thing. A question that keeps digital librarian Dot Porter awake and which she ponders in this thoughtful contribution.

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On the first Dictionary of the Old Spanish Language (DOSL)

Introduction: A review of the book BITECA: Bibliografia de textos antics catalans, valencians i balears: Biblioteques i Arxius Valencians, by Beltran, Avenoza & Soriano (2013), that is an excuse to explain the technologies used to work on the first Dictionary of the Old Spanish Langauge (DOSL) and other versions at the Hispanic Seminary of Medieval Studies (HSMS).

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