Capture generally refers to the activity of creating digital surrogates of existing cultural artefacts, or expressing existing artifacts in a digital representation (digitization). This could be a manual process (as in Transcribing) or an automated procedure (as in Imaging or DataRecognition). Such capture precedes Enrichment and Analysis, at least from a systematic point of view, if not in practice.
Introduction: This blog post by Lucy Havens presents a sentiment analysis of over 2000 Times Music Reviews using freely available tools: defoe for building the corpus of reviews, VADER for sentiment analysis and Jupiter Notebooks to provide a rich documentation and to connect the different components of the analysis. The description of the workflow comes with tool and method criticism reflections, including an outlook how to improve and continue to get better and more results.
Introduction: One of the major challenges of digital data workflows in the Arts and Humanities is that resources that belong together, in extreme cases, like this particular one, even parts of dismembered manuscripts, are hosted and embedded in different geographical and institutional silos. Combining IIIF with a mySQL database, Fragmentarium provides a user-friendly but also standardized, open workspace for the virtual reconstruction of medieval manuscript fragments. Lisa Fagin Davis’s blog post gives contextualized insights of the potentials of Fragmentarium and how, as she writes, “technology has caught up with our dreams”.
Introduction: What are the essential data literacy skills data literacy skills in (Digital) Humanities? How good data management practices can be translated to humanities disciplines and how to engage more and more humanists in such conversations? Ulrike Wuttke’s reflections on the “Vermittlung von Data Literacy in den Geisteswissenschaften“ barcamp at the DHd 2020 conference does not only make us heartfelt nostalgic about scholarly meetings happening face to face but it also gives in-depth and contextualized insights regarding the questions above. The post comes with rich documentation (including links to the barcamp’s metapad, tweets, photos, follow-up posts) and is also serve as a guide for organizers of barcamps in the future.
OpenMethods Spotlights showcase people and epistemic reflections behind Digital Humanities tools and methods. You can find here brief interviews with the creator(s) of the blogs or tools that are highlighted on OpenMethods to humanize and contextualize them. In the first episode, Alíz Horváth is talking with Hilde de Weerdt at Leiden University about MARKUS, a tool that offers offers a variety of functionalities for the markup, analysis, export, linking, and visualization of texts in multiple languages, with a special focus on Chinese and now Korean as well.
East Asian studies are still largely underrepresented in digital humanities. Part of the reason for this phenomenon is the relative lack of tools and methods which could be used smoothly with non-Latin scripts. MARKUS, developed by Brent Ho within the framework of the Communication and Empire: Chinese Empires in Comparative Perspective project led by Hilde de Weerdt at Leiden University, is a comprehensive tool which helps mitigate this issue. Selected as a runner up in the category “Best tool or suite of tools” in the DH2016 awards, MARKUS offers a variety of functionalities for the markup, analysis, export, linking, and visualization of texts in multiple languages, with a special focus on Chinese and now Korean as well.
Introduction: In this blog post, Michael Schonhardt explores and evaluates a range of freely available, Open Source tools – Inkscape, Blender, Stellarium, Sketchup – that enable the digital, 3D modelling of medieval scholarly objects. These diverse tools bring easily implementable solutions for both the analysis and the communication of results of object-related cultural studies and are especially suitable for projects with small budgets.
Introduction: Issues around sustaining digital project outputs after their funding period is a recurrent topic on OpenMethods. In this post, Arianna Ciula introduces the King’s Digital Lab’s solution, a workflow around their CKAN (Comprehensive Knowledge Archive Network) instance, and uncovers the many questions around not only maintaining a variety of legacy resources from long-running projects, but also opening them up for data re-use, verification and integration beyond siloed resources.
Introduction: As online became the default means of teaching globally, the thoughtful use of online technologies will play an even more critical role in our everyday life. In this post, Christopher Nunn guides you through how to publish your lectures as podcasts as MP3 with the help of the open source tool, Audacity. The tutorial had been published as a guest post on Mareike Schuhmacher’s blog, Lebe lieber literarisch.
The paper illustrates the features of the innovative tool in the field of data visualization: it is the framework RAW Graphs, available in an open access format at the website https://rawgraphs.io/. The framework permits to establish a connection between data coming from various applications (from Microsoft Excel to Google Spreadsheets) and their visualization in several layouts.
As detailed in the video guide available in the ‘Learning section’ (https://rawgraphs.io/learning), it is possible to load own data through a simple ‘copy and past’ command, and then select a chart-based layout among those provided: contour plot, beeswarm plot, hexagonal binnings, scatterplot, treemap, bump chart, Gantt chart, multiple pie charts, alluvial diagram and barchart. The platform permits also to unstack data according to a wide and a narrow format.
RAWGraphs, ideal for those working in the field of design but not only, is kept as an open-source resource thanks to an Indiegogo crowdfunding campaign (https://rawgraphs.io/blog).
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Introduction: The article illustrates the application of a ‘discourse-driven topic modeling’ (DDTM) to the analysis of the corpus ChronicItaly comprising several newspapers in Italian language, appeared in the USA during the time of massive migration towards America between the end of the XIX century and the first two decades of the XX (1898-1920).
The method combines both Text Modelling (™) and the discourse-historical approach (DHA) in order to get a more comprehensive representation of the ethnocultural and linguistic identity of the Italian group of migrants in the historical American context in crucial periods of time like that immediately preceding the eruption and that of the unfolding of World War I.