Introduction: NLP modelling and tasks performed by them are becoming an integral part of our daily realities (everyday or research). A central concern of NLP research is that for many of their users, these models still largely operate as black boxes with limited reflections on why the model makes certain predictions, how their usage is skewed towards certain content types, what are the underlying social, cultural biases etc. The open source Language Interoperability Tool aim to change this for the better and brings transparency to the visualization and understanding of NLP models. The pre-print describing the tool comes with rich documentation and description of the tool (including case studies of different kinds) and gives us an honest SWOT analysis of it.
Introduction: The DraCor ecosystem encourages various approaches to the browsing and consultation of the data collected in the corpora, like those detailed in the Tools section: the Shiny DraCor app (https://shiny.dracor.org/), along with the SPARQL queries and the Easy Linavis interfaces (https://dracor.org/sparql and https://ezlinavis.dracor.org/ respectively). The project, thus, aims at creating a suitable digital environment for the development of an innovative way to approach literary corpora, potentially open to collaborations and interactions with other initiatives thanks to its ontology and Linked Open data-based nature.
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Introduction: Especially humanities scholars (not only historians) who have not yet had any contact with the Digital Humanities, Silke Schwandt offers a motivating and vivid introduction to see the potential of this approach, using the analysis of word frequencies as an example. With the help of Voyant Tools and Nopaque, she provides her listeners with the necessary equipment to work quantitatively with their corpora. Schwandt’s presentation, to which the following report by Maschka Kunz, Isabella Stucky and Anna Ruh refers, can also be viewed at https://www.youtube.com/watch?v=tJvbC3b1yPc.
Introduction: Vistorian is a network analysis tool for digital humanists, especially historians. Its features have been specifically developed along basic principles of simplicity, privacy, openness and extensibility. The tool is part of the open-source Networkcube Project.
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OpenMethods Spotlights showcase people and epistemic reflections behind Digital Humanities tools and methods. You can find here brief interviews with the creator(s) of the blogs or tools that are highlighted on OpenMethods to humanize and contextualize them. In the first episode, Alíz Horváth is talking with Hilde de Weerdt at Leiden University about MARKUS, a tool that offers offers a variety of functionalities for the markup, analysis, export, linking, and visualization of texts in multiple languages, with a special focus on Chinese and now Korean as well.
East Asian studies are still largely underrepresented in digital humanities. Part of the reason for this phenomenon is the relative lack of tools and methods which could be used smoothly with non-Latin scripts. MARKUS, developed by Brent Ho within the framework of the Communication and Empire: Chinese Empires in Comparative Perspective project led by Hilde de Weerdt at Leiden University, is a comprehensive tool which helps mitigate this issue. Selected as a runner up in the category “Best tool or suite of tools” in the DH2016 awards, MARKUS offers a variety of functionalities for the markup, analysis, export, linking, and visualization of texts in multiple languages, with a special focus on Chinese and now Korean as well.
Introduction: In this blog post, Michael Schonhardt explores and evaluates a range of freely available, Open Source tools – Inkscape, Blender, Stellarium, Sketchup – that enable the digital, 3D modelling of medieval scholarly objects. These diverse tools bring easily implementable solutions for both the analysis and the communication of results of object-related cultural studies and are especially suitable for projects with small budgets.
The paper illustrates the features of the innovative tool in the field of data visualization: it is the framework RAW Graphs, available in an open access format at the website https://rawgraphs.io/. The framework permits to establish a connection between data coming from various applications (from Microsoft Excel to Google Spreadsheets) and their visualization in several layouts.
As detailed in the video guide available in the ‘Learning section’ (https://rawgraphs.io/learning), it is possible to load own data through a simple ‘copy and past’ command, and then select a chart-based layout among those provided: contour plot, beeswarm plot, hexagonal binnings, scatterplot, treemap, bump chart, Gantt chart, multiple pie charts, alluvial diagram and barchart. The platform permits also to unstack data according to a wide and a narrow format.
RAWGraphs, ideal for those working in the field of design but not only, is kept as an open-source resource thanks to an Indiegogo crowdfunding campaign (https://rawgraphs.io/blog).
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Introduction: Introduction by OpenMethods Editor (Christopher Nunn): Information visualizations are helpful in detecting patterns in large amounts of text and are often used to illustrate complex relationships. Not only can they show descriptive phenomena that could be revealed in other ways, albeit slower and more laborious, but they can also heuristically generate new knowledge. The authors of this article did just that. The focus here is, fortunately, on narratological approaches that have so far hardly been combined with digital text analyzes, but which are ideally suited for them. To eight German novellas a variety of interactive visualizations were created, all of which show: The combination of digital methods with narratological interest can provide great returns to Literary Studies work. After reading this article, it pays to think ahead in this field.
Introduction: There is a postulated level of anthropomorphism where people feel uncanny about the appearance of a robot. But what happens if digital facsimiles and online editions become nigh indistinguishable from the real, yet materially remaining so vastly different? How do we ethically provide access to the digital object without creating a blindspot and neglect for the real thing. A question that keeps digital librarian Dot Porter awake and which she ponders in this thoughtful contribution.