Music encoding and multimodality: score, text, image and performance

https://openmethods.dariah.eu/2017/08/31/music-encoding-and-multimodality-score-text-image-and-performance-raffaele-viglianti-introduction-aux-humanites-numeriques/ OpenMethods introduction to: Music encoding and multimodality: score, text, image and performance 2017-08-31 06:56:29 Introduction: This is a report conference on musicology and encoding. Delphine Montoliu http://archinfo41.hypotheses.org/156 Blog post Analysis Annotating Capture Code Collaboration Commenting Community Building Computers Concordancing Conversion Creation Data Digital Humanities Dissemination Durable Persistent Media Encoding Enrichment French Images Imaging Information Retrieval Interpretation Link Machine Learning Manuscript Meta-Activities Multimodal Persons Projects Publishing Recording Research Activities Research Objects Research Techniques Scanning Searching Sharing Sheet Music Software Sound Structural Analysis Text Tools Transcription Translation Versioning Visualization Web development Writing via bookmarklet

Introduction by OpenMethods Editor (Delphine Montoliu): This is a report conference on musicology and encoding.

Raffaele Viglianti est étudiant en dernière année de thèse au King’s College au département de Digital Humanities. Son travail au sein du département porte sur la numérisation et l’encodage textuel. Durant la conférence (Music encoding and multimodality : score, text, image and performance) du 7 décembre 2012, il nous a présenté différents enjeux liés à la musique et son encodage : contexte et multimodalité.

 

Original publication date: 29/12/2012.

Source: Music encoding and multimodality : score, text, image and performance – Raffaele Viglianti – Introduction aux humanités numériques